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St Photius the Great, tr. Freese, 1920; selections

165. Codex 165: Himerius, Declamations

Read the Declamations1 and Various Discourses of Himerius the sophist.2 Two of the former are deliberative, and three forensic, all with introductions. Of the deliberative speeches the first is supposed to be delivered by Hyperides in support of Demosthenes, the second by Demosthenes, on behalf of Aeschines. Of the other three, the first is in the form of an attack on Epicurus, who is supposed to be on trial for impiety; the second is written against a rich man who had exhausted the substance of a poor man by his abominable actions, and introduces the poor man pleading his cause; in the third Themistocles declaims against the king of Persia, who had made many promises in the hope of ending the war.3

These speeches, more than the others, are written in such a manner as to show what can be done by excellence of style and brilliancy and vigour of ideas. The author often heaps up periods,4 in imitation of Demosthenes, in a variety of forms; although he specially affects an elevated style, he cleverly modifies his language by introducing other forms. His diction, at least in the matter of phraseology and the meaning and the force of words, is by no means wanting in perspicuity. The frequent breaking up of words sounds strange to the ear but is not disagreeable, although it renders the sense less intelligible to the ordinary reader. Another reason for the author’s general clearness of style is that he uses expressions that make for distinctness. As I have said, he uses heaped-up periods in argumentation5 and at other times, but by illuminating them by vigorous6 figures of speech he clears his language of any obscurity that might arise from them. He makes frequent and clever use of hyperbaton and other figures of speech, although not to the same extent as of periods. He is vehement and earnestly vigorous where needed. Such he shows himself in the speeches mentioned.

Next to these speeches comes the Polemarchicus, a eulogy of those who fell in battle fighting for freedom against the Persians, and also in praise of war; the Areopagiticus. claiming citizenship for his son Rufinus, not a fictitious declamation; a monody on the death of the same son; on the marriage of his friend Severus, also obviously not fictitious, with an introduction; Diogenes or Propempticus,7 a send-off speech, also furnished with an introduction, and written in the form of a dialogue: Syntacterius, a farewell speech to his friends on starting for Corinth; a Propempterius to Flavian, on his promotion to the consulship of Asia; to a new student named Piso; another Diogenes or Propempticus; an impromptu8 on a dispute which arose in the school; on the arrival of some Cyprians; on his first hearer from Cappadocia; a show-speech,9 which he at first refused to deliver when asked, in which the thesis “Beautiful things are rare” is discussed; on Musonius, proconsul of Greece; on the new pupil Severus, who came on the scene during the scuffle;10 a short address;11 on count Ursacius; on another Severus; on Scylacius, proconsul of Greece; on some new pupils, Ephesians and Mysians and citizens of Leon;12 on companions from his fatherland; on count Athenaeus; on the Roman Privatus, tutor of the son of Ampelius the proconsul; on his return from Corinth; on Phoebus the son of Alexander the proconsul; on count Arcadius a physician. Hortatory speech to his pupils just arrived and a propemptic to Flavian; on the marriage of Panathenaeus; two short addresses; a discourse13 when leaving Philippi in obedience to a summons from the emperor Julian; an oration delivered in Constantinople on the city itself, the emperor Julian, and the rites of Mithras; a discourse on the prefect Sallust, with an argument; on the proconsul Flavian; on his friend’s birthday; short address on his friend’s recovery; on intriguers; on Basil the proconsul (two); on Hermogenes, Plocianus, Ampelius, Praetextatus, proconsuls of Greece, and their companions; on his departure to the emperor Julian; speech delivered in Nicomedia at the exhortation of Pompeianus the prefect; a speech on the new students; on a new student; on his companion Zeno; on Aphobinus, a new student; on one who entered the school in consequence of an oracle of Poseidon; on those who had arrived from Ionia; on the Ionian strangers; an extempore oration to his hearers; a speech in honour of a friend in Constantinople; a discussion with his pupils after his return from his country; an extempore oration on his (poor) lecture-room; rebuke of those who listened indifferently to speeches; an extempore speech on some who attended his lectures and were inclined to be restive; on Cytianus and his companions who behaved in a disorderly manner when he was speaking extempore; exhortation on the necessity of endeavouring to secure variety in discourse; discussion after the healing of his wound;14 a speech after his return from Corinth; on the stylus (pencil) and his pupils; on Amyclae, a city of the Lacedaemonians, which, in obedience to a dream, he visited to offer prayer to the God; that lectures should not be delivered in public; speech on the necessity of taking exercise; another speech delivered at Corinth.15

I think that these are all the orations of Himerius, nearly seventy in number, which you patiently and laboriously read while I was present. In all of them, while preserving the same type of diction and the same kind of style, he uses heaped-up periods and figures of speech in such a manner that a feeling of satiety is prevented by their cleverness and the way in which they are adapted. So far as I know, I am of opinion that no one has ever used figures of speech so admirably or pleasantly. His writings are full of, all kinds of historical and mythical examples, either for purposes of demonstration, or for drawing parallels, or for affording pleasure, or for the embellishment of the subjects discussed, by which he guides aright and diversifies his language, and by which his exordia, epilogues, and arguments are constructed. He also often gives a preliminary outline of the matter and manner of the discussion. But while such is the character of his orations, it is obvious that he held impious views on religion and imitates the dogs who yelp against us in secret. He flourished in the time of Constantius and the most impious Julian, and was head of the rhetorical school at Athens.

Notes

  1. Μελεταί, elaborate fictitious speeches written for practice in the schools of rhetoric.
  2. Born at Prusa c. A.D. 315, died c. 386. Lived at the court of the Emperor Julian and after his death at Athens. He was the teacher of Gregory of Nazianzus and Basil. Of the twenty-four extant Declamations some are school exercises, others inaugural orations (see Cod. 243).
  3. Themistocles dissuaded the Athenians from accepting his offers.
  4. The word used (περιβολή) expresses the combination in a single period of a variety of diction, sentiments, and figures of speech. The Latin equivalent is circumducta or circumjecta oratio: cp. Quintilian, ix. 4, 124: cum sensus unus longiore ambitu circumducitur (“when a single thought is drawn out by a lengthy period”).
  5. Αἰτιολογία, giving the causes or reasons of things.
  6. Γοργός, “vigorous,” “fiery,” opposed to “languid,” “spiritless.”
    7 The inversion of the usual order of words or clauses in a sentence, chiefly for the sake of emphasis.
  7. A send-off speech (like Propempterius).
  8. Σχέδιον, a short extempore discourse.
  9. Ἐπίδειξις, a speech delivered in the theatre or a public place to exhibit the composer’s rhetorical powers.
  10. In the school. To read Συμπληγάδι (with capital S) and translate “prefect of Symplegada” seems absurd.
  11. Λαλιά, a short complimentary address to a real personage.
  12. The text cannot be right (τοῦ Λέοντος). Τοῦ Λέγοντος, “of the speaker” (i.e. Himerius himself) is another reading.
  13. Διάλεξις, a private lecture or dissertation for the instruction of pupils.
  14. Received during the disturbance (συμπληγάς) in the school.
  15. See also the Eclogue by Photius (Cod. 243) and the Orationes, ed. F. Dubner in the Didot series (Paris, 1849).

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